Gives your computer recording system a rich, authentic British accent. This is the Waves Digital Download version.
1969 Gibson ES-345 in excellent condition and perfect playing order. This guitar was a factory second. This guitar has had a headstock repair.
We process digital download orders as quickly as possible. You'll receive your authorization code and download link by email (may take up to 24 hours). The Waves SSL 4000 Collection was developed under license from Solid State Logic.
Includes 3 meticulously modeled plug-ins based on the legendary SSL 4000 Series: the SSL E-Channel, the SSL G-Master Buss Compressor, and the SSL G-Equalizer. This set of TDM format plug-ins sounds so close to the original consoles, even experts who work with SSL boards day in and day out can't tell the difference. SSL G-Master Buss Compressor Based on the renowned master buss center compressor of the SL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of the original's IC input and twin VCA gain-reduction amplifier design. SSL E-Channel The SSL E-Channel delivers the incomparable sound of the Solid State Logic 4000-series console's all-discrete design and its Class A, VCA chip. It's a slice of the world's greatest hit-making machine, in your computer. The equalization section of the SSL E-Channel is based on the renowned Black Knob equalizer, developed in 1983 with legendary producer George Martin. It features a High Pass Filter, Low Pass Filter, and a 4-band parametric equalizer.
The dynamics section features a soft-knee compressor/limiter and an expander/gate modeled on the SSL LS611E. Like the original, it can be placed before or after the equalization section, and makeup gain is automatically applied to maintain a steady output level. SSL G-Equalizer This 4-band equalizer, modeled on the SSL G Series EQ292, offers greater gain change than the E-Series EQ, and a slightly different curve. The SSL G-Equalizer includes a preboost dip and a precut rise, as well as a broader Q for more extreme equalization.
That's why many leading engineers use the E Channel's equalization for detailed problem-solving and mixing, and the SSL G-Equalizer to shape and give character to the sound. Note: Waves products require iLok USB key authorization. Authorizing your bundle to your iLok is a one-time process that can be completed on any computer with an internet connection. It doesn't have to be your audio computer. The iLok authorization process consists of 2 phases: Selecting your products and iLok in your Waves account. Running the Authorizer to complete the process.
FEATURES SSL G-Master Buss Compressor Controls. Threshold is continuously adjustable from -15dB to +15dB. Make Up Gain is continuously variable from -5dB to +15dB. Attack offers a choice of six attack rates: 0.1; 0.3; 1; 3; 10 and 30 ms. Release time can be set to 0.1, 0.3, 0.6, 1.2 seconds, or automatic.
Ratio is switchable between 2:1, 4:1, and 10:1. Rate-S sets the Autofade duration, from 1 to 60 seconds.
Analog allows disabling of analog emulation. In serves as a bypass button SSL E-Channel Controls Equalization:. Low Pass Filter 18dB/octave slope, adjustable from 20kHz to 3kHz. High Pass Filter 18dB/octave slope, adjustable from15Hz to 350Hz. High (HF) Choose from shelf (16.5dB/octave boost or cut) or bell shape (18dB/octave boost or cut with a fixed Q of 2.5). Range is from 1.5kHz to 16kHz.
High Mid (HMF) Range is from 600Hz to 7kHz, with an adjustable Q from 0.1 to 3.5. Gain varies from ±15dB when Q is set to 0.1 to ±18dB when Q is set to 3.5. Low Mid (LMF) Range is from 200Hz to 2.5kHz, with an adjustable Q from 0.1 to 3.5. Gain varies from ±15dB when Q is set to 0.5 to ±18dB when Q is set to 3.0. Compressor/Limiter:.
Ratio/Slope Variable from 1 to infinity (limiting). Threshold Variable from +10dB to -20dB. Attack Normally auto-sensing (Slow), switchable to 1ms (Fast).
Release Variable from 0.1 to 4 seconds Expander/Gate:. Range Variable from 0 to 40dB. Threshold Variable from -30dB to +10dB.
Attack Normally auto-sensing (Slow), switchable to 1ms (Fast). Release Variable from 0.1 to 4 seconds. Gate Toggles from Expander function (default) to Gate function SSL G-Equalizer Controls. High Pass Filter 18dB/octave, 16Hz ” 350Hz. Filter on/off switch. Low Frequency EQ Shelving.
Range 30Hz ” 450Hz. Gain range ±17dB. Low Medium Frequency EQ Range 200Hz ” 2.5kHz. Q is continuously adjustable from 0.1 to 3.5. Gain varies from ±20dB when Q is set to 3.5 to ±15dB when Q is set to 0.1.
The 3 button divides the selected frequency by three. High Medium Frequency EQ Range 600Hz ” 7kHz. As in the LMF EQ section, Q is continuously adjustable from 0.1 to 3.5. Gain varies from ±20dB when Q is set to 3.5 to ±15dB when Q is set to 0.1. The x3 button allows you to multiply the selected frequency by three. High Frequency EQ Range 1.5kHz ” 16kHz.
Gain range ±17dB, shelving. EQ In bypasses the EQ section but leaves the filter in if engaged. Phase Reverse reverses the phase of the input signal. Master Output fader controls overall output of the processor.
Trim button indicates how much headroom remains before digital clipping.
1960 Gibson ES-335TD in Sunburst Manufacturer Period 1958–present Construction Body type Semi-hollow Neck joint Scale 24.75 in (629 mm) Woods Body with maple center block Neck Fretboard Hardware Bridge with stopbar 2 Colors available Various, often -type finishes Black, Wine Red, Cherry Red, Natural The Gibson ES-335 is the world's first commercial thinline (also known as 'semi-hollowbody'). Released by the as part of its series, it is neither fully hollow nor fully solid; instead, a solid maple wood block runs through the center of its body. The side 'wings' formed by the two 'cutaways' into its upper bouts are hollow, and the top has two -style over the hollow chambers. Notable users include,. Contents. Origins Before 1952, Gibson produced only hollow-body guitars, which are prone to feedback when amplified loudly. That year saw the introduction of their first solid-body, the, a significantly different instrument from 's early electric guitar experiment, 'The Log,' which consisted of a center block with detachable chambers on both sides, a neck, hardware, and a pickup attached.
By 1958 Gibson was making a few solid-body models which had much lower feedback and better sustain but lacked the darker, warmer tone and unamplified volume of hollow bodies. The ES-335 was an attempt to find a middle ground: a warmer tone than a solid body produced with almost as little feedback. Though semi-hollow-bodies like the ES-335 are essentially a compromise of earlier designs, they are for this reason extremely flexible, as evidenced by the ES-335's popularity in a wide range of music, including,. With a basic price of $267.50, it quickly became a best-seller, and has been in continuous production since 1958. The first major update came in mid 1962, with the most visible change being the neck markers: early models had dots (hence 'dot neck'), later models had blocks. Models Some models (ES 347,ES 369) feature a switch, which allows the humbuckers to produce a 'single-coil' sound. The ES-335 Pro, ES-335TD CRS and CRR models were equipped with Gibson 'Dirty Fingers' humbuckers, which had a significantly higher output than the standard pickups.
The company has produced a number of signature guitars as well, such as -inspired model (1964–1970) with narrow diamond-shaped soundholes replacing the, a Firebird-style with all the tuners on one side, and slashed-diamond inlays. In September 2007, Gibson introduced the DG-335, designed in collaboration with, a variation on the Trini Lopez Gibson; the Grohl model has a stopbar tailpiece and Gibson's new Burstbucker humbuckers. Other signature models have included the heavily customized 'Big Red' 335.
A reissue of the 1963 model was a 2014 'Editor's pick' in magazine, at $4000 Variations Trini Lopez. Rusty Anderson plays a Trini Lopez Standard. Other than the custom black finish, this guitar has the same specs as the 1964-1971 Trini Lopez Standard. Two signature models were developed based on the ES-335 model, known as the Trini Lopez Standard and the Trini Lopez Custom.
They were initially produced from 1964-1971, and reissues have been produced periodically since the initial run. The Trini Lopez Standard featured the same body shape and profile as the ES-335, with diamond-shaped holes in the place of the f-shaped holes, a headstock, split diamond inlays on the fingerboard, a trapeze tailpiece with a plaque with Trini Lopez's name, and a standard cherry red finish. A modified version of the Trini Lopez Standard, with a stop-tailpiece and a custom Pelham Blue finish is used by as his primary stage guitar; the Gibson Custom Shop produced a market version known as the 'DG-335' in 2015. The Trini Lopez Custom came in a standard cherry sunburst finish, had a thicker body and different shaped cutouts, similar to the Gibson Custom guitar, a more ornate pickguard, and different locations for its two selector switches, but otherwise had the same tailpiece, fingerboard, headstock, and electronics as the Trini Lopez Standard. Gibson ES-345 (left-hand model) The ES-345 (semi-hollow) was first produced in 1958 as an upscale version of the ES-335. Although the design is very similar to the 335, the 345 featured a multi-position 'Varitone' switch located just above the lead tone and volume controls, which added various combinations of and to the electronic pickup circuit of the guitar in order to alter its resonant frequency and add 'color' to the sound. The ES-345 also featured an optional output jack, gold plated hardware, large split parallelogram fingerboard inlays (similar to ES 175), and a thicker three-ply edge binding than that of the ES-335.
Notable users include B.B. King, of, and the character of in the 1985 comedy film. British guitar player used a walnut ES-345 with a scalloped fretboard.
The ES-345 was discontinued in 1981, one year after the Gibson Lucille, based on the ES-355 (see below), was launched. As of 2012, the ES-345 is available as a limited edition from Gibson's discount line, Guitars, as well as the ES-355. The differences between two models are. The headstock inlay on ES-345 is a 'small crown' rather than the 'split-diamond' custom inlay on the ES-355.
The position markers on ES-345 are 'double parallelogram' rather than the 'block' inlays used on the ES-355. Also, the first fret on the ES-345 is not inlaid.
The stereo output wiring and the Varitone was factory-installed on the ES-345 and ES-355TD-SV, but not on the unmodified ES-355TD (mono version). The vibrato unit ( or ) was an option on the ES-345; In contrast, it was factory-installed on most ES-355s (except for the earlier models in the 1950s, final models after 1979, and Lucille). Of playing an ES-355 The ES-355TD (Thinline, Double pickups) was at the top of Gibson's range of thinline semi-hollowbody electric guitars. It was manufactured from 1958 to 1982, fitted with the Stereo option (SV), as the ES-355TD-SV released in 1959.
The headstock has a split-diamond inlay rather than the smaller crown inlay on the 335/345, in addition to a multiple-layered binding. The fingerboard inlays are inlaid mother-of-pearl blocks, beginning at the first position of the fretboard. In addition to the headstock, binding is also applied to the fretboard and both the front and the back edges of the body. Rather than the rosewood fretboard on a 335 or 345, both variations of the 355 have an ebony fingerboard for a 'smoother' sound.
Reissues use a richlite fingerboard. Early models of Epiphone's limited edition budget version had an ebony fingerboard but the later issues had a rosewood board.
The ES-355 was available with a or a. It was also available with a stereo output and Varitone tone filter circuitry.
When fitted with the optional stereo wiring and Varitone, the model was known as the ES-355TD-SV. Gibson EB-2 The was first produced in 1958 as the bass version of the ES-335. Having the same body as the ES-335, it held a 30.5' scale neck and hardware borrowed directly from the.The pickup was actually a single coil with the polepieces on the lower edge of the black cover until mid 1959.The humbucking pickup has the poles in the center of a black cover. In 1959, a 'baritone-switch' was added to filter the output from the and give it more of a guitar-like sound. The EB-2 was discontinued at the end of 1961, being replaced by the.
Due to a boom in the use of the EB-2 and its sibling, the, in the in England in the early sixties, production restarted in 1964, with a 2-pickup version called the EB-2D being added to the line in 1966. In 1972 the EB-2 line was discontinued. See also: Other models based on the 335 include the, the (the toggle switch has settings of the pickups in-phase, pickups out-of-phase and standby), the ES-347 (includes a coil tap, block markers on an ebony fretboard, fine tuning tailpiece and, on earlier models, a brass nut, and a greater sustain block), the, essentially a 335 with the body reduced to Les Paul size; and the. Although the resembles the 335, it is actually fully hollow (as opposed to semi-hollow) and features two pickups (as opposed to 2 humbucking pickups), and it was designed as the successor to the. Epiphone Riviera Gibson also markets a much less expensive version of the ES-335 under its brand, called the (referring to its dot-style ).
Other Epiphone semi-hollowbody style models include the (a fancier version of the co-developed ES-335, released the same week, it can make equal claim as the first semi-hollowbody), the Riviera, and the Dot Studio, though some of those are modeled after other guitars in the ES series. From 1958 to 1970, Epiphone guitars were produced in Gibson's factory, and shared the similar design, materials and electronics as their Gibson counterparts. The Riviera, and models shared similarities with the Gibson ES-335, EB-2 and EB-0 models, respectively. In 1970, Epiphone production ceased in the Kalamazoo plants and Epiphones were made at the factory in. Later Epiphones were constructed under contract with in Korea. These early Epiphones are generally thought to be of good quality.
Since 2002, almost all Epiphones have been made in the 'Gibson' plant in China. As of 2012, Epiphone also produces the ES-335 PRO, ES-339 PRO, ES-345 Stereo, ES-355, and the Lucille. The ES-335 Pro and ES-339 both feature coil-tapped humbuckers, activated by pull-push volume knobs; the ES-355, gold hardware and a Bigsby tremolo, while the ES-345 Stereo has a Bigsby and VariTone control. The Lucille meanwhile, also features a VariTone control and, in keeping with BB King's Gibson signature model, no f-holes and a fine tuning stop bar tailpiece.
See also. References. 2009-03-17 at the, Gibson Guitar Corp.
Retrieved 2011-06-28. Drozdowski, Ted (2015-05-28). Bacon, Tony (2012).
The Ultimate Guitar Sourcebook. MBI Publishing Company.
The “log” is the solid pine block that Les used to create the center block of the body, with “wings” of an Epiphone body added to complete the shape. Carter, Walter (2007). The Gibson Electric Guitar Book: Seventy Years of Classic Guitars. Backbeat Books. The Log (2003) Replica of Les Paul's Log, 4 x 4-inch centerpiece. Solid 4 x 4-inch center block, detachable wings from full-depth archtop. ^ Guitar Player staff (June 2014).
'Six Semi-Hollow Electrics'. Electric Guitar Review, 2007-09-28. GuitarPlayer.com, Electric & Acoustic Guitar Gear, Lessons, News, Blogs, Video, Tabs & Chords. Retrieved 12 April 2018. Vintage Guitars. Retrieved 2011-01-23. Vintage Guitars.
Retrieved 2011-01-23. Fjestad, Zachary R. Blue Book of Electric Guitars (11 ed.). Blue Book Publications, Inc. Gibson Guitar Company.
Retrieved 2011-01-23. Drozdowski, Ted (2010-09-16). Gibson Guitar Company. Retrieved 2011-01-23. Retrieved 20 August 2012. Retrieved 26 July 2012. Retrieved 2013-08-20.
External links Wikimedia Commons has media related to., from Gibson's website.